

Jan
8
Jan
8
Jan
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Jan
8

Everyone knows that Bob Marley shot the sheriff and the time has come for the police to finally take action. From the mind of Seth MacFarlane, creator of Family Guy and American Dad comes a comedy too big for your T.V. Welcome to Seth MacFarlane's Cavalcade of Cartoon Comedy!

from unreleased Hard Rain Show 22 April 1976 Clearwater, Florida "Come gather 'round people Wherever you roam And admit that the waters Around you have grown And accept it that soon You'll be drenched to the bone. If your time to you Is worth savin' Then you better start swimmin' Or you'll sink like a stone For the times they are a-changin'. Come writers and critics Who prophesize with your pen And keep your eyes wide The chance won't come again And don't speak too soon For the wheel's still in spin And there's no tellin' who That it's namin'. For the loser now Will be later to win For the times they are a-changin'. Come senators, congressmen Please heed the call Don't stand in the doorway Don't block up the hall For he that gets hurt Will be he who has stalled There's a battle outside And it is ragin'. It'll soon shake your windows And rattle your walls For the times they are a-changin'. Come mothers and fathers Throughout the land And don't criticize What you can't understand Your sons and your daughters Are beyond your command Your old road is Rapidly agin'. Please get out of the new one If you can't lend your hand For the times they are a-changin'. The line it is drawn The curse it is cast The slow one now Will later be fast As the present now Will later be past The order is Rapidly fadin'. And the first one now Will later be last For the times they are a-changin'"
Jan
8
Jan
8

from blonde on blonde. one of his best songs: The guilty undertaker sighs, The lonesome organ grinder cries, The silver saxophones say I should refuse you. The cracked bells and washed-out horns Blow into my face with scorn, But it's not that way, I wasn't born to lose you. I want you, I want you, I want you so bad, Honey, I want you. The drunken politician leaps Upon the street where mothers weep And the saviors who are fast asleep, They wait for you. And I wait for them to interrupt Me drinkin' from my broken cup And ask me to Open up the gate for you. I want you, I want you, I want you so bad, Honey, I want you. Now all my fathers, they've gone down True love they've been without it. But all their daughters put me down 'Cause I don't think about it. Well, I return to the Queen of Spades And talk with my chambermaid. She knows that I'm not afraid To look at her. She is good to me And there's nothing she doesn't see. She knows where I'd like to be But it doesn't matter. I want you, I want you, I want you so bad, Honey, I want you. Now your dancing child with his Chinese suit, He spoke to me, I took his flute. No, I wasn't very cute to him, Was I? But I did it, though, because he lied Because he took you for a ride And because time was on his side And because I . . . I want you, I want you, I want you so bad, Honey, I want you.

This is a segment from D. A. Pennebaker's film, Dont Look Back (a documentary on Bob Dylan's tour of England in 1965). In the film, Dylan holds up cue cards for the audience with words from the song on them. While staring at the camera, he flips the cards as the song plays. Interestingly, there are intentional errors throughout the video. For instance, the song's lyrics say "eleven dollar bills," but the poster says "20 dollars". The video takes place in an alley behind The Savoy Hotel in London where poet Allen Ginsberg makes a cameo appearance.
Jan
8

Bob Marley 'Could You Be Loved' Could you be loved and be loved? Could you be loved and be loved? Don't let them fool ya, Or even try to school ya! Oh, no! We've got a mind of our own, So go to hell if what you're thinking is not right! Love would never leave us alone, A-yin the darkness there must come out to light. Could you be loved and be loved? Could you be loved, wo now! - and be loved? (The road of life is rocky and you may stumble too, So while you point your fingers someone else is judging you) Love your brotherman! (Could you be - could you be - could you be loved? Could you be - could you be loved? Could you be - could you be - could you be loved? Could you be - could you be loved?) Don't let them change ya, oh! - Or even rearrange ya! Oh, no! We've got a life to live. They say: only - only - only the fittest of the fittest shall survive - Stay alive! Eh! Could you be loved and be loved? Could you be loved, wo now! - and be loved? (You ain't gonna miss your water until your well runs dry; No matter how you treat him, the man will never be satisfied.) Say something! (Could you be - could you be - could you be loved? Could you be - could you be loved?) Say something! Say something! (Could you be - could you be - could you be loved?) Say something! (Could you be - could you be loved?) Say something! Say something! (Say something!) Say something! Say something! (Could you be loved?) Say something! Say something! Reggae, reggae! Say something! Rockers, rockers! Say something! Reggae, reggae! Say something! Rockers, rockers! Say something! (Could you be loved?) Say something! Uh! Say something! Come on! Say something! (Could you be - could you be - could you be loved?) Say something! (Could you be - could you be loved?) Say something! (Could you be - could you be - could you be loved?) Say something! (Could you be - could you be loved?)


































